"Let's begin."
Play clip (excerpt):

- "Hey, Doc! Where ya going now? Back to the future?"
- "Nope. Already been there."
Play clip (excerpt):

"Cut! Will this movie never end?"
Play clip (excerpt):

- "Come on, Tracy! Let's go! Come on! Come on, Tracy!"
- "Well, what are you waitin' for? A nice, safe desk?"
- "Tess. You're one in a million."
- "This is amazing, Tracy! What are you waitin' for? Come on. Let's go! Come on. Metropolitan Bank. Come on. Step on it! You know somethin', Tracy? I kinda like that dame."
Play clip (excerpt):

(gunshots)
- "Dad?"
- "Oh, no. Oh, no!" (screaming)
- "Mary!" (screaming)
- "No! No."
- "No, Mary! Mary! No, God, no! Oh, God, no! Please!" (more screaming)
- "Mom, come on, Mom, please." (continued screaming, weeping)
Play clip (excerpt):

(voice-over) "See, the hardest thing for me was leaving the life. I still loved the life. And we were treated like movie stars with muscle. We had it all just for the asking. Our wives, mothers, kids, everybody rode along. I had paper bags filled with jewelry stashed in the kitchen. I had a sugar bowl full of coke next to the bed."
- "People call them rats because a rat will do anything to survive. Isn't that right, Mr. Hill."
- "Objection!"
- "Objection sustained."
- "I don't know nothing about being a rat."
- "Mr. Hill, You know everything about being a rat!"
- "Objection, Your Honor."
- (voice-over) "Anything I wanted was a phone call away. Free cars. The keys to a dozen hideout flats all over the city. I'd bet 20, 30 grand over a weekend, and then I'd either blow the winnings in a week or go to the sharks to pay back the bookies.
- "Didn't matter. It didn't mean anything. When I was broke, I would go out and rob some more. We ran everything. We paid off cops. We paid off lawyers. We paid off judges. Everybody had their hands out. Everything was for the taking. And now it's all over."
(voice-over) "And that's the hardest part. Today, everything is different. There's no action. I have to wait around like everyone else. Can't even get decent food. Right after I got here, I ordered some spaghetti with marinara sauce and I got egg noodles and ketchup. I'm an average nobody. I get to live the rest of my life like a schnook."
Play clips (excerpt): (short) (extended)

(voice-over) "That morning I wept. I wept because I loved the streets that took me away from Henry and would lead me back to him. I wept because the process by which I had become a woman was painful. I wept because from now on, I would weep less. I wept because I had lost my pain and I was not yet accustomed to its absence."
Play clip (excerpt):

- "Well, someone has to find an open store. We don't even have milk here."
- "I went shopping yesterday."
- "You, shopping?"
- "I got some milk, eggs and fabric softener."
- "What?"
- "No kiddin'? What a funny guy. What else did you do while we were away?"
- "Just hung around."
- "Bring your stuff upstairs."
- "He went shopping? He doesn't know how to tie his shoe. He's going shopping?"
- "Honey, what's this?
- "Kevin, what did you do to my room!?"
Play clip (excerpt):

- "It's always gonna be somethin' with you, isn't it, Joe?"
- "Yeah. I'll tell ya one thing, though."
- "What?"
- "Wherever we go, whatever we do..."
- "Yeah."
- "We're gonna take this luggage with us."
- "Deal. I wonder where we'll end up?"
- "Hell, away from the things of man, my love. Away from the things of man."
Play clip (excerpt):

(voice-over) "The murder of Carolyn Polhemus remains unsolved. It is a practical impossibility to try two people for the same crime. Even if it wasn't, l couldn't take his mother from my son. I'm a prosecutor. I have spent my life in the assignment of blame. With all deliberation and intent, l reached for Carolyn. I cannot pretend it was an accident. I reached for Carolyn, and set off that insane mix of rage and lunacy that led one human being to kill another. There was a crime. There was a victim. And there is punishment."
Play clip (excerpt):

- "So, what happened after he climbed up the tower and rescued her?"
- "She rescues him right back."
(voice-over) "Welcome to Hollywood! What's your dream? Everybody comes here. This is Hollywood, the land of dreams. Some dreams come true, some don't, but keep on dreamin'. This is Hollywood. Always time to dream, so keep on dreamin'."
(Song: "Pretty Woman" by Roy Orbison)
Play clip (excerpt):

- "Hey there, don't punch me. I'm gettin' brittle as it is. Look at this, ya know? I been runnin' up and down these steps for 20 years. And I never knew there was valuable pictures in this building, ya know."
- "Well, you're never too old to learn somethin' new."
- "Yeah."
- "You're gonna love Picasso."
- "Yeah? Oh, yeah, well, I love almost everybody."
(Song: "The Measure of a Man" by Elton John)
Play clip (excerpt):

- "I can't believe it. It's like a dream. What's wrong?"
- "I just had a terrible thought. What if this IS a dream?"
- "Well then, kiss me quick before you wake up!"
Play clip (excerpt):

"Katherine! It [the past] never goes away."
Play clip (excerpt):

- "Are they gonna live happily ever after, Mama?"
- "Of course, my dear. Of course."
- "Do I still have to sleep in the cupboard?" (laughter)
(Song: "Beauty and the Beast")
Play clip (excerpt):

(voice-over) "We never spoke about what happened, at least not to each other. Fear, I suppose, that to remember his name and what he did would mean letting him into our dreams. And me, I hardly dream about him anymore. Still, things won't ever be the way they were before he came. But that's alright, because if you hang onto the past you die a little every day. And for myself, I know I'd rather live. (whispered) The end."
Play clip (excerpt):

"So, lookin' back, Jimmy, what do you feel you have learned most from your experience with The Commitments? Well, that's a tricky question, Terry. But, as I always said, we skipped the light fandango, turned cartwheels 'cross the floor. I was feelin' kinda seasick, but the crowd called out for more. That's very profound, Jimmy. What does it mean? (big grin) I'm f--ked if I know, Terry!"
(Song: "Try a Little Tenderness")
Play clip (excerpt):

(screaming)
- "You all right?"
- "Yeah, I'm okay. Oh." (chuckling)
- "Freddy's dead."
Play clip (excerpt):

- "So whaddya think?"
- "I think... it's not all bad."
Play clip (excerpt):

(laughter)
- "Seize the day!"
- "So, your adventures are over."
- "Oh, no. To live, to live would be an awfully big adventure."
Play clip (excerpt):

- "Maureen? Is it always gonna hurt this bad? Mama says it won't. I hope she's right."
- "I hope so."
- "You know, sometimes I think that nothing's ever gonna make sense again."
- "Maybe life's not supposed to make sense."
- "Doesn't that scare you?"
- "Yes, it does."
- "I wish I could still talk to the man in the moon. Don't you?"
- "It would be nice."
- "Maureen?"
- "What?"
- "Will we always talk to each other?"
- "Always."
Play clip (excerpt):

"Rose isn't dead, son, not really. Some of us die, some of us don't. Rose lives! (pause) Don't worry about it, boy. She's at rest with Mother in the creative universe. She's at rest with Mother."
Play clip (excerpt):

- "Do you see Heaven?"
- "Yes."
- "Isn't it beautiful?"
- "Yes."
- "Do you know how long you have to stay here?"
- "Yes."
- "How long?"
- "Forever."
Play clip (excerpt):

- "Well, Clarice, have the lambs stopped screaming?"
- "Dr. Lecter."
- "Don't bother with the trace. I won't be on long enough."
- "Where are you, Dr. Lecter?"
- "I have no plans to call on you, Clarice. The world's more interesting with you in it. So you take care now to extend me the same courtesy."
- "You know I can't make that promise."
- "I do wish we could chat longer, but I'm having an old friend for dinner. Bye."
- "Dr. Lecter, Dr. Lecter, Dr. Lecter?"
Play clip (excerpt):

(voice-over) "Captain's Log, Stardate 9529.1: This is the final cruise of the starship Enterprise under my command. This ship and her history will shortly become the care of another crew. To them and their posterity will we commit our future. They will continue the voyages we have begun and journey to all the undiscovered countries boldly going where no man, where no one has gone before."
Play clip (excerpt):

(voice-over) "The unknown future rolls toward us. I face it for the first time with a sense of hope, because if a machine, a Terminator, can learn the value of human life, maybe we can too."
Play clip (excerpt):

- "Okay then, listen, let's not get caught."
- "What are you talkin' about?"
- "Let's keep goin'."
- "What d'you mean?"
- "Go."
- "You sure?"
- "Yeah. Hit it." (They kiss)
- "Hey!"
Play clip (excerpt):

(static, transmission) "Ash, Captain Dallas. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off." (beeping)
Play clip (excerpt):

- "Well, come what may. Merry Christmas, Mr. Wayne."
- "Merry Christmas, Alfred. Goodwill toward men - and women."
Play clip (excerpt):

- "Where is my God? He has forsaken me. lt is finished."
- "No. Oh, my love. My love."
(voice-over) "There, in the presence of God, I understood at last how my love could release us all from the powers of darkness. Our love is stronger than death."
- "Give me peace." (sword impalement, kiss, then beheading)
Play clip (excerpt):

- "Fergus. My love. Light of my life."
- "Please, Dil."
- "Can't help it. You're doing time for me. No greater love as the man says. I wish you'd tell me why."
- "As a man said, it's in my nature."
- "What's that supposed to mean?"
- "Well, there's this scorpion, you see. And he wants to go across a river. Well, he can't swim. So he goes to this frog, who naturally enough can swim, and he says, 'Uh, excuse me, Mr. Froggy. I want to go across the river.' So the frog accepts the idea. The scorpion hops on the frog's back. Suddenly, the frog: 'Aah!' He feels this sting! 'You stung me! Why did you go and do that?' The scorpion looks at him and says, 'Well, I can't help it, it's in my nature'."
(Song: "Stand By Your Man" by Lyle Lovett)
Play clip (excerpt):

- "How could you have lost an entire can of spray paint?"
- "Why do I have to carry everything, anyway? You get to carry a little einsy, beensy baby purse."
- "Where did you see it last?"
- "If I knew, I'd know where it was."
- "An entire can of spray paint."
- "Get off it!"
- "Has that ever worked by the way, when you ask me where I last saw something?"
- "Yes."
- "When?"
- "When you lost your index finger."
- "I didn't lose it. It broke off."
- "That's because you crack your knuckles all the time. Oh! Aw! Help me! My legs aren't working! Help me!" (Both tumble down a long set of stone stairs and smash into pieces)
- "Do you remember where you parked the car?"
Play clip (excerpt):

"Great Spirit and the Maker of All Life. A warrior goes to you swift and straight as an arrow shot into the sun. Welcome him and let him take his place at the council fire of my people. He is Uncas, my son. Tell them to be patient and ask death for speed; for they are all there but one - I, Chingachgook - Last of the Mohicans."
Play clip (excerpt):

(voice-over) "Well, I'd like to tell you that five minutes after I kissed Diane, she came running out into my arms and that we fell in love forever, but that's not what happened. It took six minutes."
- "I'm sorry."
- "It's all right. Let's get outta here."
- "OK." (They kiss)
- "Ahh, that's nice."
(Song: "Love Potion No. 9" by Carole Davis)
Play clip (excerpt):

- "George, but tell, tell now how it's gonna be."
- "We're gonna get a little place."
- "Okay, yeah, we're gonna get a little place and we gonna..."
- "We're gonna..."
- "...have..."
- "We'll have a cow, and some pigs, and we're gonna have, maybe-maybe, a chicken. Down in the flat, we'll have a little field of..."
- "field of alfalfa for the rabbits."
- "...for the rabbits."
- "And I get to tend the rabbits..." (mercy-killing of Lennie)
Play clip (excerpt):

- "This is a winner, Griffin. It's a winner."
- "He gets away with it?"
- "Absolutely. It's a Hollywood ending, Griff. He marries the dead writer's girl, and they live happily ever after."
- "Can you guarantee that ending?"
- "If the price is right, you got it."
- "If you can guarantee me that ending, you got a deal."
- "I guarantee it, Griff."
- "What do you call this thing anyway?"
- "The Player."
- "The Player. I like that."
- "What took you so long?"
- "Traffic was a bitch."
- (child's singing) "La, la, la-la la La la la-la la..."
Play clip (excerpt):

(voice-over) "I cried the whole week of Sam's funeral. Graham says that won't bring him back. He says I have to start letting go. He's right. Hedy's parents said that for years, they tried to explain to her that her sister's death wasn't her fault, but she never forgave herself for surviving. So, every day, I try to forgive Hedy for Sam. Then, I try to do what she couldn't: forgive myself. I know what can happen to someone who doesn't."
(Song: "State of Independence")
Play clip (excerpt):

"You better bury Ned right. You better not cut up nor otherwise harm no whores, or I'll come back and kill every one of you sons of bitches."
Play clip (excerpt):

"Sure, I could have stayed in the past. I could have even been king. But in my own way, I am king. (Ash grabs girl) Hail to the king, baby." (Ash kisses girl)
Play clips (excerpt): (short) (extended)

- "Let me see those hands, Doctor."
- "Thought you didn't care."
- "I don't. Don't tell anybody, OK?"
Play clip (excerpt):

- "They're gone! They're aII gone. Do you know what today is?"
- "No, what?"
- "Today is tomorrow. It happened. You're here."
- "I'm here."
- "Oh, Phil. Why weren't you Iike this Iast night? You just feII asIeep." (giggles)
- "It was the end of a very Iong day. Is there anything I can do for you today?"
- "I'm sure I can think of something."
- "It's so beautiful! Let's live here! (They kiss) We'll rent to start."
Play clip (excerpt):

- "Hammond. After careful consideration, I've decided not to endorse your park."
- "So have I."
Play clip (excerpt):

(singing) "My dearest friend, If you don't mind, I'd like to join you by your side. Where we can gaze into the stars, And sit together, Now and forever. For it is plain, As anyone can see, We're simply meant to be."
Play clip (excerpt):

(voice-over) "At night, I think of my piano in its ocean grave, and sometimes of myself floating above it. Down there, everything is so still and silent that it lulls me to sleep. It is a weird lullaby, and so it is, it is mine. There is a silence where hath been no sound. There is a silence where no sound may be, in the cold grave under the deep, deep sea."
Play clip (excerpt):

- "You have been liberated by the Soviet Army."
- "Have you been in Poland?"
- "I just came from Poland."
- "Are there any Jews left?"
- "Where should we go?"
- "Don't go east, that's for sure. They hate you there. I wouldn't go west either, if I were you."
- "We could use some food."
- "Isn't that a town over there?"
... (singing)
- "Heil Hitler."
... (singing)
(title) - Amon Goeth was arrested while a patient in a sanatorium at Bad Tolz. He was hanged in Krakow for crimes against humanity.
Play clip (excerpt):

- "'We read to know we're not alone.' Do you think that is so?"
- "Well, I hadn't thought of it before like that, sir."
- "No, nor did I. I suppose some people would say we love to know we're not alone. Would you?"
- "Well, if you mean falling in love, well, I haven't really. I mean, I probably know more about love from books than from personal experience."
- "Go on. I'm listening."
- "Well, I don't think any of us want to be alone."
(voice-over) "Why love, if losing hurts so much? I have no answers anymore: only the life I've lived. Twice in that life, I've been given the choice: as a boy and as a man. The boy chose safety, the man chooses suffering. The pain now is part of the happiness then. That's the deal."
- (dog barking) "Come on."
Play clip (excerpt):

- "You like to watch? Watch this!" (she shoots at monitors)
- "Carly! No, stop! Those women meant nothing to me. It was just sex, Carly. I love you. That was the past. What we had is so powerful, Carly. Can't you feel it? It feels so good. You can feel it, can't you? Give me the gun, Carly. I love you, Carly. Carly! (more gunshots) Carly, please! Please don't! Carly, please don't! Carly!"
- "Get a life!"
Play clip (excerpt):

(voice-over) "The power of the Cowboy Gang was broken forever. Ike Clanton was shot and killed two years later during an attempted robbery. Mattie died of a drug overdose shortly after she left Tombstone. Virgil and Allie Earp moved to California, where Virgil, despite the use of only one arm, became a town sheriff. Wyatt and Josephine embarked on a series of adventures. Up or down, thin or flush, in 47 years they never left each other's side. Wyatt Earp died in Los Angeles in 1929. Among the pallbearers at his funeral were early Western movie stars William S. Hart and Tom Mix. Tom Mix wept."
Play clip (excerpt):

(voice-over from beginning and at the end of the film)
"I had to come all the way from the highways and byways of Tallahassee, Florida to Motor City, Detroit to find my true love. If you gave me a million years to ponder, I would never have guessed that true romance and Detroit would ever go together. And to this day, the events that followed all seem like a distant dream. But the dream was real, and was to change our lives forever. I kept asking Clarence why our world seemed to be collapsing and everything seemed so shitty. And he'd say, 'That's the way it goes, but don't forget, it goes the other way too.' That's the way romance is. Usually, that's the way it goes, but every once in awhile, it goes the other way too...."

"Amid the chaos of that day, when all I could hear was the thunder of gunshots, and all I could smell was the violence in the air, I look back and am amazed that my thoughts were so clear and true, that three words went through my mind endlessly, repeating themselves like a broken record: you're so cool, you're so cool, you're so cool. And sometimes Clarence asks me what I would have done if he had died, if that bullet had been two inches more to the left. To this, I always smile, as if I'm not gonna satisfy him with a response. But I always do. I tell him of how I would want to die, but that the anguish and the want of death would fade like the stars at dawn, and that things would be much as they are now. Perhaps. Except maybe I wouldn't have named our son Elvis."
Play clip (excerpt):

(announcer) - "The National Football League would now like to offer a special thank you to the man who rescued Dan Marino and our beloved Snowflake. A great humanitarian, and a lover of all animals: Mr. Ace Ventura!"
- "Get off me! Get off me!"
- "Tone, put that big-ass size 13 on and kick it for the homies."
Play clip (excerpt):

"Rachel. Kyle was right. Sooner or later, they all f--k up." (gunshots)
Play clip (excerpt):

(voice-over) "If the people we love are stolen from us, the way to have them live on is to never stop loving them. Buildings burn, people die, but real love is forever."
Play clip (excerpt):

- "Fred, I'm so proud of you."
- "And I'm proud of you, Barney."
- "I'm starving!"
- "Me too!"
- "Whaddya say we get some breakfast. Snake and eggs for everybody. My treat."
- "Great."
- "Barney."
- "Yeah, Fred?"
- "Could you spot me a couple bucks? I'm a little short."
- "Not this time!"
- "What?"
Play clip (excerpt):

- "Here's your bus. OK. Hey, I know this."
- "I'm gonna share that for show-and-tell because Grandma used to read it to you."
- "My favorite book. Here we are. Hey! Here ya go. Hey, Forrest. Don't... I want to tell you I love you."
- "I love you too, Daddy."
- "I'll be right here when you get back."
- "You understand this is the bus to the school, now, don't ya?"
- "Of course, and you're Dorothy Harris, and I'm Forrest Gump."
Play clip (excerpt):

- "I shouldn't have come to the church this morning. I'm sorry."
- "No! No! Wait. It was all my fault. I mean, I'm the bastard here. And it definitely sorted out one thing, which is, marriage and me, we're very clearly not meant for one another. Sorted out another big thing as well.There I was, standing there in the church and for the first time in my whole life, I realized I totally and utterly loved one person. And it wasn't the person standing next to me in the veil, it's the person standing opposite me now in the rain."
- "Is it still raining? I hadn't noticed."
- "The truth of it is, I've loved you from the first second I met you. You're not suddenly gonna go away again, are you?"
- "No. I might drown, but otherwise, no."
- "Okay, okay. We'll go in. But first, let me ask you one thing. Do you think, after we've dried off, after we've spent lots more time together, you might agree not to marry me? And do you think not being married to me might maybe be something you could consider doing for the rest of your life? Do you?"
- "I do."
Play clip (excerpt):

(voice-over) "And so began 1959. The New Year. When he learned that Norville owned the company, old Sidney was upset at first. It's a good thing Doc Bromfenbrenner was there..."
- "Sidney?"
(voice-over) "'Cause he was able to keep Sidney from harming his old self. He prescribed a long rest in a sana... in the sanatori... in the booby hatch. Now, Norville, he went on and ruled with wisdom and compassion, and started dreamin' up them excitin' new ideas again."
- "You know, for kids. I had the boys down at R&D throw together this little prototype so that our discussion here could have some focus and to give you gentlemen on the board a first-hand look."
(voice-over) "And that's the story of how Norville Barnes climbed waaay up to the forty-fourth floor of the Hudsucker Building, and then fell all the way down, but didn't quite squish hisself. You know, they say there was a man who jumped from the forty-FIFTH floor? But that's another story...(laughter)."
Play clip (excerpt):

- "Come on, I have a car."
- "I'm so tired."
- "We'll go to my flat. You can rest there. Do you feel pain?"
- "No. it's mostly his blood."
- "I have a shower. You can clean up there."
- "Thank you, Zoe."
- "You'll get well. Then I'll show you the real Paris."
Play clip (excerpt):

(voice-over) "I remember when he was a boy. I thought Tristan would never live to be an old man. I was wrong about that. I was wrong about many things. It was those who loved him most who died young. He was a rock they broke themselves against, however much he tried to protect them. But he had his honor and a long life and he saw his children grow and raise their own families. Tristan died in 1963 in the Moon of the Popping Trees. He was last seen up in the north country, where hunting was still good. His grave is unmarked, but it does not matter. He had always lived in the borderland, anyway, somewhere between this world and the other. It was a good death."
Play clip (excerpt):

- "My parents died in a car accident four weeks ago. It was terrible."
- "You know, we didn't have the time to get to know one another when you first came here, but I want you to know that I'm not the kind of woman who'd let down a child, whatever her situation, whatever her mistake. So I'm going to help you and do my best to welcome you here again. But on one condition. You have to stop lying to me, Mathilda. I want you to take a chance and trust me. Now, tell me what happened to you."
- "Okay. My family got shot down by DEA officers because of a drug problem. I lived with the greatest guy on Earth. He was a hit man, the best in town, but he died this morning. And if you don't help me, I'll be dead by tonight."
- "You know her?"
- "No."
- "I've never seen her."
- "I think we'll be OK here, Leon."
(Song: "Shape of My Heart" by Sting)
Play clip (excerpt):

- "Well, there's this passage I got memorized. Ezekiel 25:17. 'The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy My brothers. And you will know I am the Lord when I lay My vengeance upon you.' I been sayin' that s--t for years, and if you heard it, that meant your ass. I never gave much thought to what it meant. I just thought it was some coldblooded s--t to say to a motherf--ker before I popped a cap in his ass. But I saw some s--t this mornin' made me think twice. See, now I'm thinkin' maybe it means you're the evil man, and I'm the righteous man, and Mr. 9-millimeter here, he's the shepherd protectin' my righteous ass in the valley of darkness. Or it could mean you're the righteous man, and I'm the shepherd, and it's the world that's evil and selfish. Now, I'd like that. But that s--t ain't the truth. The truth is, you're the weak and I'm the tyranny of evil men. But I'm tryin', Ringo. I'm tryin' real hard to be the shepherd. Go."
- "I think we should be leaving now."
- "Yeah. That's probably a good idea."
Play clips (excerpt): (short) (extended)

(voice-over) "Oh yes, I believe in friends. I believe we need them, but if one day you find that you just can't trust them anymore, well, what then? What then?"
(Song: "Happy Heart" by Andy Williams)
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(voice-over) "Get busy living or get busy dying. That's goddamn right. For the second time in my life, I'm guilty of committing a crime. Parole violation. Of course, I doubt they'll toss up any roadblocks for that. Not for an old crook like me."
- "Fort Hancock, Texas, please."
(voice-over) "I find I am so excited I can barely sit still or hold a thought in my head. I think it's the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope."
Play clip (excerpt):

- "I have to warn you. I've heard relationships based on intense experiences never work."
- "Okay. We'll have to base it on sex, then."
- "Whatever you say, ma'am."
Play clip (excerpt):

(voice-over) "...I wondered how some people can be such a necessary part of one's life one day and simply vanish the next. Isn't it supposed to last? We ran into each other at graduation. And we had lunch about a year after that. It was nice to see them, but it wasn't like the old days. Stuart ended up becoming incredibly monogamous to a girl, if you can believe that. In fact, I heard they even got married. Alex, on the other hand, enjoyed staying single for a long time, though she admitted to sometimes missing the rejection from doomed relationships. Whenever I talk to her, she always manages to refer to my boyfriend as the other woman. My college experience wasn't what I had planned. It bore no resemblance to the pictures in the brochure. But I'm not unhappy. I don't think any of us are. We got what we needed out of it. It's kind of like when you go on vacation. You plan everything out but then one day you make a wrong turn or take a detour and you end up in some crazy place you can't even find on the map, doing something you never thought you'd do. Maybe you feel a little lost while it's happening, but later you realize it was the best part of the whole trip."
Play clip (excerpt):

"...All right, guys. Come on. National security, guys. Come on. Life and death. Harry, Harry. Helen, Helen, I was always on your side. I was always there for you, Helen. You know what? I'm sick of being in the van. You guys are gonna be in the van next time. I've been in the van for 15 years, Harry."
Play clip (excerpt):

(voice-over) "...And as for me, the seven extraordinary days of Apollo 13 were my last in space. I watched other men walk on the moon and return safely, all from the confines of Mission Control and our house in Houston. I sometimes catch myself looking up at the moon, remembering the changes of fortune in our long voyage, thinking of the thousands of people who worked to bring the three of us home. I look up at the moon and wonder: When will we be going back? And who will that be?"
Play clip (excerpt):

(narrator voice-over) "And so it was that in all the celebration, in all the hubbub of noise and excitement, there were two figures who stood silent and still, side by side."
- "The pig did it! The pig did it! The perfect score! Yippee! Yippee!"
(narrator voice-over) "And though every single human in the stands or in the commentary boxes was at a complete loss for words, the man who in his life had uttered fewer words than any of them knew exactly what to say."
- "That'll do, pig. That'll do."
Play clips (excerpt): (short) (extended)

- "All right, listen, listen. What do you wanna do?"
- "May, maybe we should meet here in five years or something."
- "All right, all right. Five years. Five years? That's a long time."
- "It's awful. It's like a sociological experiment. How about one year?"
- "One year. All right, one year. How about six months?"
- "Six months?"
- "Yeah."
- "It's gonna be freezing. Yeah."
- "Who cares? We come here, we go somewhere else."
- "Okay, okay. Uhh, six months from now or last night?"
- "Uhm, last night. Six months from last night, which was, uh, uh, June 16th. So uh, track nine, six months from now at 6:00 o'clock at night."
- "December."
- "December, yeah. Now listen, it's a train ride for you, but I gotta fly all the way over here and s--t like that, but I'm gonna be here."
- "Okay, me too."
- "All right."
- "And we're not gonna call, write or... No."
- "No, it's depressing."
- "Yeah, okay."
- "All right. All right, your train's gonna leave. Say goodbye."
- "Bye."
- "Goodbye."
- "Au revoir."
- "Later."
Play clip (excerpt):

(voice-over) "In the Year of our Lord 1314, patriots of Scotland, starving and outnumbered, charged the fields of Bannockburn. They fought like warrior poets; they fought like Scotsmen, and won their freedom."
Play clip (excerpt):

- "Told ya I'm never going back."
- "Yeah."
Play clip (excerpt):

(voice-over) "When you're young, not much matters. When you find something that you care about, then that's all you got. When you go to sleep at night, you dream of pussy. When you wake up, it's the same thing. It's there in your face. You can't escape it. Sometimes when you're young, the only place to go is inside. That's just it. F--kin' is what I love. Take that away from me and I really got nothin'."
- "Jesus Christ, what happened?"
Play clip (excerpt):

- "Well, we'll take care of him."
- "Whatever he needs."
- "Where you gonna be?"
- "Around. I'll be around."
(voice-over) "Ernest Hemingway once wrote: 'The world is a fine place and worth fighting for.' I agree with the second part."
Play clips (excerpt): (short) (extended)

- "Andy is now opening his first present. It's..."
- "Buzz."
- "I can't quite...(make out)."
- "Buzz Lightyear. You are not worried, are you?"
- "Me? No, no. Pfft. No. No, no, no, no. Mm-mm."
- "A large box. It's, it's, it's..."
- "Are you?"
- (chuckling) "Oh, now, Buzz. What could Andy possibly get that is worse than you?"
- "Oh, what is it? What is it? Wow, a puppy!"
- (chuckling together) "Hah!"
(Song: "You've Got a Friend in Me" by Randy Newman)
Play clip (excerpt):

- "It's obscene, all the violence, all the lunacy. Shootings even at airports now. You might say that we're the next endangered species, human beings."
- "I think you're right, ma'am. I think you've hit the nail on the head."
- "Jones is my name. (They shake hands) I'm in insurance."
Play clip (excerpt):

(mostly brief voice-over flashbacks, some overlapping)
- "Convince me and tell me every last thing."
- "You know, back when I was in that barbershop quartet in Skokie, Illinois..."
- "Where's your head, Agent Kujan?"
- "What we need to do is think, think back."
- "I'm sure you've heard many tall tales."
- "Bricks Marlin."
- "This isn't right."
- "I just wanna hear your story."
- "It's all there, and I'm tellin' it straight, I swear."
- "Some guy in California, his name is Redfoot."
- "A gift from Mr. Soze."
- "Talk to me, Verbal."
- "What about Redfoot?"
- "Mr. Redfoot knew nothing."
- "Using pawns."
- "Big, fat guy. I mean, like orca fat."
- "There was a lawyer."
- "The legends of Kobayashi."
- "You'll never see him again."
- "Back when I was picking beans in Guatemala, we used to make fresh coffee."
- "I know you thought he was a good man."
- "I know he was good." (gunshots)
- "And tell me every last detail."
- "The strangest thing."
- "How do you shoot the devil in the back?"
- "This orphan is protected from up on high by the Prince of..."
- "What about a pretzel, man? What's your story?"
- "There was a lawyer."
- "What lawyer, Verbal?"
- "I am Mr. Kobayashi."
- "Kobayashi. Kobayashi."
- "Tell me every last detail."
- "I work for Keyser Soze."
- "Convince me. Convince me. Convince me."
- "Every creep and scumbag that works the street for a living will know the name of Verbal Kint."
- "The cripple, did you see him?!"
- "Huh?"
- "The cripple! Which way did he go?"
- "Oh, he - he went out that way."
- "I know you know something. I know you're not telling me something."
- "Why don't you say something?"
- "I'm smarter than you and I'm gonna find out what I wanna know whether you like it or not."
- "To a cop, the explanation is never that complicated. It's always simple."
- "You know what I'm gettin' at, Verbal! The truth! Come on, Verbal."
- "There's no arch criminal is behind it all."
- "Somebody with power, somebody who was capable of tracking us to New York."
- "Not from a Keyser Soze!"
- "Who's Keyser Soze?"
- "Keyser Soze."
- "You think a guy like that comes this close to getting caught and sticks his head out?"
- "You get enough guys, uh..."
- "Because you're stupid, Verbal. Because you're a cripple."
- "What I wanna know is who's the gimp?"
- "You've known. You've known the whole f--kin' time!"
- "Oh, I know that."
- "If he comes up for air, he's gonna get rid of me."
- "Who's Keyser Soze?"
- "I'm sure Keaton is dead."
- "I can't feel my legs, Keyser."
- "First thing I learned on the job, you know what it was? How to spot a murderer."
- "They tell me you got the cripple in there from New York. He mentioned Keyser Soze?"
- "Who?"
- "After that, my guess is you'll never hear from him again. The greatest trick the devil ever pulled was convincing the world he didn't exist. And like that, he's gone."
Play clips (excerpt): (short) (extended)

- "Meet me in 20 minutes at the corner of El Dorado and Palm."
- "Lady, not for a million dollars."
During rolling credits: (Songs: "We Are Family" and "Conga")
- (sounds of crying)
- (whispered) "Bob Dole is gorgeous!"
- "Which one is the mother? l just don't know."
- "Mazel tov."
- "As a sign of your union, you may kiss the bride."
- (crying) "l'm sorry."
Play clip (excerpt):

- "Catherine. Are you all right?"
- "James. I don't know."
- "Are you hurt?"
- " I think I'm all right. I think I'm all right."
- "Maybe the next one, darling. Maybe the next one."
Play clip (excerpt):

- "They announced it."
- "They announced it?"
- "Yah."
- "So?"
- "Three-cent stamp."
- "Your mallard?"
- "Yah."
- "Oh, that's terrific."
- "It's just the three-cent."
- "It's terrific."
- "Hautmans' blue-winged teal got the 29-cent. People don't much use the three-cent."
- "Oh, for Pete's sake, of course they do. Whenever they raise the postage, people need the little stamps."
- "Yah?"
- "When they're stuck with a bunch of the old ones."
- "Yah, I guess."
- "It's terrific. I'm so proud of you, Norm. Heck, Norm, you know, we're doin' pretty good."
- "I love you, Margie."
- "I love you, Norm."
- "Two more months."
- "Two more months."
Play clips (excerpt): (short) (extended)

- "You wanna go with me, don't ya? Well, alright then. Come over here and give your father a kiss good-bye. It's not easy to give away your daughter."
- "David! Don't! (gasping) Please!"
- "Nicole. (sighing) I know this is hard. I'm sorry it has to be like this, but it does. It's not our fault. It's his. I tried so hard to be nice, to get him to accept me. Can't you see all he wants is for you to be his little girl forever? You don't want that, do you? It's okay. All girls cry at their weddings. Now, I know this is gonna be hard. We'll get over it, together. Just me and you. Nobody else, remember? (sound of punch) Daddy! (cocks gun) You will forever hold your peace!"
(screaming, exhaling, panting, gasping, grunting)
- "Now, you get out of here!" (groaning, grunting, gasping, panting, sobbing)
Play clip (excerpt):

- "How are you?"
- "All right."
- "You look well."
- "Do I? Where are you living now?"
- "Quite far."
- "You won't tell me where."
- "You wouldn't know it. I better go."
- "I'll follow you."
- "No."
- "I won't stop trying. I promised you that."
- "Jude."
- "Do you love me? Do you still love me? I won't come again if that's what you want, but I need to know."
- "You've always known."
- "Sue, come with me."
- "No, Jude." (kiss)
- "We are man and wife, if ever two people were on this earth."
Play clip (excerpt):

- "Excuse me, Mr. Hunt. Would you like to watch a movie?"
- "Oh. No, thank you."
- "Would you consider the cinema of the Caribbean? Aruba, perhaps?"
Play clip (excerpt):

- "Sit yourself down."
- "You all right with that?"
- "Yeah. That's it. Who'd have thought it, eh? Look at you two sittin' there, like a couple of garden gnomes! (chuckling) Oh, this is the life, ain't it?"
- (together) "Yeah."
Play clip (excerpt):

(voice-over) "Now I've justified this to myself in all sorts of ways. It wasn't a big deal, just a minor betrayal. Or we'd outgrown each other, you know, that sort of thing. But let's face it, I ripped them off, my so-called mates. But, Begbie, I couldn't give a s--t about him. And Sick Boy, well, he'd have done the same to me, if he'd only thought of it first. And Spud, well, OK, I felt sorry for Spud - he never hurt anybody...So why did I do it? I could offer a million answers, all false. The truth is that I'm a bad person. But, that's gonna change - I'm going to change. This is the last of that sorta thing. Now I'm cleanin' up and I'm movin' on, goin' straight and choosin' life. I'm lookin' forward to it already. I'm gonna be just like you. The job, the family, the f--kin' big television, the washing machine, the car, the compact disc, an electrical tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suite, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die."
Play clip (excerpt):

"...A clue. I've been looking for clues, and somethin' led me back here. Yep. So here I am. Could have been me, the one that was at Ringo's place when the s--t went down. Hey, I know how it is. I've been there. We've all done bad things. We've all had those guilty feelings in our heart. You wanna take your brain out of your head and wash it and scrub it and make it clean. Well, no. But I'm gonna help you settle this. First we're gonna check for holes, see what we can find. Then we're gonna get nice and wet and you're gonna spread your legs. Oh, that's good. So you know me. You know my reputation. Thirteen inches is a tough load. I don't treat you gently. That's right. I'm Brock Landers. So I'm gonna be nice. So I'm gonna be nice. So I'm gonna be nice. I'm gonna ask you one more time. Where the f--k is Ringo? (unzips pants in front of mirror) I am a star. I'm a star, I'm a star, I'm a star. I am a big, bright, shining star. (zips up pants) That's right."
(Song: "Livin' Thing" by ELO)
(after credits, inaudible) "I just, I just wanna talk to you. I just want Raphael. Oh, s--t. S--t. Raphael. Where is he? Where's Ringo? I know where it goes."
Play clips (excerpt): (short) (extended)

- "This is the story. This is the one, pal. This is the one you dreamed about."
- "There is no story."
- "Bulls--t. A lawyer with a crisis of conscience? You gotta be kidding. It's huge!"
- "They're gonna disbar me, Larry. Write about that."
- "Wait a second. Can they do that?"
- "Not when I get through with the story. We gotta talk, Kevin. You gotta give me an exclusive. This is wire service. This is 60 Minutes. This is a story that needs to be told. It's you. You're a star."
- (whispered) "Baby."
- "Call me in the morning."
- "You got it. First thing."
- "Bye, Larry."
- "Vanity - definitely my favorite sin. Ha, ha."
(Song: "Paint It Black" by The Rolling Stones)
Play clip (excerpt):

"You know, uhm, would you like to have a coffee with me at the airport?"
(Song: "White Rabbit" by Jefferson Airplane)
Play clip (excerpt):

(voice-over) "For someone who was never meant for this world, I must confess, I'm suddenly having a hard time leaving it. Of course, they say every atom in our bodies was once a part of a star. Maybe I'm not leaving. Maybe I'm going home."
Play clip (excerpt):

(voice-over) "This is WGPM-FM Radio Free Newberry, Grosse Pointe, Michigan, winding down our all-vinyl reunion weekend, Pointes High class of '86. Some people say it's forgive and forget. Nah, I don't know. I say forget about forgivin' and just accept - and get the hell outta town."
(Song: "Blister in the Sun" by Violent Femmes)
Play clips (excerpt): (short) (extended)

- (applause) "lt is with great pleasure that I present this award to Detective Lieutenant Edmund Exley, two-time Medal of Valor recipient. (applause) Next year, the LAPD will move into its new facility. With leaders like Lieutenant Edmund Exley, the image of fat cops stealing apples will be left behind forever, and Los Angeles will finally have the police force it deserves." (applause)
- "You just couldn't resist."
- "They're using me. So for a little while, l'm using them."
- "Come on."
- "Hey. Thanks for the push. Yeah."
- "Congratulations, Lieutenant Exley."
- "Some men get the world. Others get ex-hookers and a trip to Arizona. (kiss) Bye."
- "Bye."
Play clip (excerpt):

- "Ed. Take a look at this!"
- "Yeah. That's her all right. That's Fred Madison's wife with Dick Laurent."
- "And Mr. Dent-Head over there."
- "We got Pete Dayton's prints all over this place."
- "You know what I think, Ed?"
- "What is it, AI? What do you think?"
- "I think there's no such thing as a bad coincidence."
- "Dick Laurent is dead."
Play clips (excerpt): (short) (extended)

(voice-over) "What mysteries will the Brain Bug reveal? Federal scientists are working around the clock to probe its secrets. Once we understand the bug, we will defeat it. We have the ships. We have the weapons. We need soldiers. Soldiers like Lieutenant Stack Lumbrezer."
- "We're over the target area now, Captain."
(voice-over) "And Captain Carmen Ibanez."
- "This is the Captain speaking. All personnel prepare for drop."
(voice-over) "Soldiers like Private Ace Levy and Lieutenant John Rico."
- "Come on, you apes! You wanna live forever?"
(voice-over) "We need you all. Service guarantees citizenship."
Play clip (excerpt):

"Three years, I've thought of nothing except Titanic. But I never got it. I never let it in."
Play clip (excerpt):

- "Bobby, I can't do this alone. You've gotta pull yourself together. I'm not gonna leave you. I never wanted it to go down like this. It was different with you, Bobby. You had dreams, like me. We could still make this work. I didn't want to hurt you."
- "Yeah, right here. (he hands over car keys) You know why else I can never leave you?"
- "What?"
- "Because I love you, Grace."
- "I love you, Bobby."
- "I don't know whether to love you or kill you! (he strangles her) I love you, Grace, but I can't trust you."
- "You're such a good girl."
- "Jake! Jake!"
- "Jake can't help you." (she shoots him in the side before expiring)
- (he starts car) "You're still lucky. Adios. (the radiator hose bursts) Oh, s--t! (laughter) Arizona."
(Song: "It's A Good Day" by Peggy Lee)
Play clip (excerpt):

- "God, what did I do? Oh, God, oh God."
(voice-over) "So I guess this is where I tell you what I learned. My conclusion, right? Well, my conclusion is - hate is baggage. Life's too short to be pissed off all the time. It's just not worth it. Derek says it's always good to end a paper with a quote. He says someone else has already said it best, so if you can't top it, steal from them and go out strong. So I picked a guy I thought you'd like. 'We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature.'"
Play clip (excerpt):

- "Well, take care, man. Gotta get back."
- "Sure, take it easy, Dude."
- "Oh, yeah."
- "I know that you will."
- "Yeah, well, 'The Dude abides.'"
- "'The Dude abides.' I don't know about you, but I take comfort in that. It's good knowin' he's out there, The Dude. Takin' her easy for all us sinners. Shoosh. I sure hope he makes the finals. Well, that about does her. Wraps her all up. Things seemed to have worked out pretty good for The Dude and Walter. And it was a pretty good story, don't ya think? Made me laugh to beat the band. Parts, anyway. I didn't like seein' Donny go. But then I happen to know that there's a little Lebowski on the way. I guess that's the way the whole darn human comedy keeps perpetuatin' itself down through the generations. Westward in the wagons, across the sands of time until we - oh, look at me. I'm ramblin' again. Well, I hope you folks enjoyed yourselves. Catch ya later on down the trail. Say, friend - you got any more of that good sarsaparilla?"
Play clip (excerpt):

- "It's so beautiful here. So bright."
- "Do you know if Shell Beach is around here?"
- "I think that's it - just over there. I'm headed that way myself. Would you like to join me?"
- "Sure."
- "I'm Anna, by the way. What's your name?"
- "John. John Murdoch."
Play clip (excerpt):

- "No regrets?"
- "None whatsoever."
- "So, how does it feel to be a hero?"
- "It's all right, I guess. I don't know, it's... different."
- "That's him over there. Hey, Casey!"
- "Your fan club's here again."
- "Network or local?"
- "Both. You know, you can be pretty cool sometimes."
- "Things sure have changed, haven't they?"
Play clip (excerpt):

(voice-over) "We found an undertaker, and it was hard, believe me, because, you know, because of the AIDS. I didn't want people to remember her like that, because I didn't want people to see her like that. I wanted them to remember her as beautiful, because that's what she really was."
(voice-over) "Life and death, energy and peace. If I stop today, it was still worth it. Even the terrible mistakes that I have made and would have unmade if I could. The pains that have burned me and scarred my soul. It was worth it, for having been allowed to walk where I've walked, which was to Hell on Earth, Heaven on Earth, back again, into, under, far in between, through it, in it, and above."
Play clip (excerpt):

(breathing heavily and rapidly during masturbation)
- "Let's make a toast."
- "To happiness."
- "To happiness."
- "To happiness."
- "Kookie. Kookie."
- "I-I came."
Play clip (excerpt):

- "Max, Max. Look. Pretty, huh? Can we do it, Max? Can we? How about 255 times 183? I got it! I got it! What's the answer?"
- "I don't know. What is it?"
- "46,665. See. How about 748 divided by 238? I got it. What's the answer?"
Play clip (excerpt):

- "My family is with me today. They wanted to come with me. To be honest with you, l wasn't sure how l'd feel coming back here. Every day l think about what you said to me that day on the bridge. And l've tried to live my life the best l could. l hope that was enough. l hope that at least in your eyes, l've earned what all of you have done for me."
- "James? (reading grave inscription) Captain John H. Miller."
- "Tell me I have led a good life."
- "What?"
- "Tell me I'm a good man."
- "You are."
Play clip (excerpt):

- "You will never age for me, nor fade, nor die."
- "Nor you for me."
- "Good-bye, my love. A thousand times good-bye."
- "Write me well."
(voice-over) "My story starts at sea. A perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces, and all the helpless souls within her drowned. All save one: a lady whose soul is greater than the ocean, and her spirit, stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story, for she will be my heroine for all time. And her name will be Viola."
Play clip (excerpt):

- "Cease transmission."
- "Ceasing Transmission." (sounds of keyboard tapping and then static)
- "You want another slice?"
- "No, I'm OK."
- "What else is on?"
- "Yeah, let's see what else is on."
- "Where's the TV Guide?"
Play clip (excerpt):

- "Look, does anybody here believe me?"
- "Not a chance. No."
- "I believe you."
- "Thank you."
- "But you didn't tell it right."
- "I didn't?"
- "Not at all. OK, listen up, guys, 'cause this is how the story really goes."
Play clip (excerpt):

(singing with guitar) - "So let me clear the dishes in our kitchen sink, put you to bed when you've had too much to drink. Oh, I could be the man who grows old with you. I wanna grow old with you." (applause)
- "That was the most beautiful song."
- "I got a confession to make. That song was about you."
- "Good."
- "I'm in love with you."
- "I am so in love with you."
- "Hey, Robbie. That wasn't a bad song, you know. I'm gonna tell those record company guys about you."
- "You mind if I give her a kiss first?"
- "Oh, yeah, do what you gotta do."
(Song: "True" performed by Steve Buscemi)
- "I know this much is True. I know this much is True. I know, I know, I know, This much is True. Oh, yes, I do, Robbie and Julia."
Play clip (excerpt):

(voice-over) "When I was young, I met this beautiful girl by a lake."
(Song: "Chris & Annie's Theme")
Play clip (excerpt):

- "Don't cry, Shopgirl. Don't cry."
- "I wanted it to be you. I wanted it to be you so badly."
(Song: "Over the Rainbow" performed by Harry Nilsson)
Play clip (excerpt):

(voice-over) "I had always heard your entire life flashes in front of your eyes the second before you die. First of all, that one second isn't a second at all. It stretches on forever, like an ocean of time. For me, it was lying on my back at Boy Scout camp, watching falling stars. (gunshot) And yellow leaves from the maple trees that lined our street. (gunshot) Or my grandmother's hands and the way her skin seemed like paper. (distant gunshot) And the first time I saw my cousin Tony's brand-new Firebird. And Janie. And Janie. And Carolyn. I guess I could be pretty pissed off about what happened to me, but it's hard to stay mad when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once and it's too much. My heart fills up like a balloon that's about to burst. And then I remember to relax and stop trying to hold on to it. And then it flows through me like rain, and I can't feel anything but gratitude for every single moment of my stupid little life. You have no idea what I'm talking about, I'm sure. But don't worry: you will someday."
Play clip (excerpt):

(voice-over) "Dear Lana. By the time you read this, I'll be back home in Lincoln. I'm scared of what's ahead, but when I think of you, I know I'll be able to go on. You were right. Memphis isn't far off. I'll be makin' the trip out on the highway before too long. I'll be waitin' for ya. Love always and forever, Brandon."
(Song: "Bluest Eyes in Texas")
Play clip (excerpt):

(reading, partly voice-over) "'Thus I began my new life in a new name and with everything new about me. I felt like one in a dream. The remembrance of my old life is fraught with so much want of hope. Whether it lasted for a year or more or less I do not know. I only know that it was and ceased to be. And there I leave it.'"
- "Is that all?"
- "No, there's much more to come, Curly. Well, that's tomorrow. Let's not give the story away. Goodnight, you princes of Maine. You kings of New England."
Play clips (excerpt): (short) (extended)

- "We just wanted to ask Mr. Nourish some questions away from the others."
- "Yeah."
- "Sure. Shoot. As long as you don't ask me to fill in your questionnaires."
- "We've played your game now so we can finally agree with the others that you are the world's greatest game artist. We weren't sure before."
- "Well, thanks so much."
- "Yevgeny? Don't you think you should have to suffer for all the harm you've done and intend to do to the human race?"
- "What?"
- "Yes. Don't you think the world's greatest game artist ought to be punished for the most effective deforming of reality?"
- "I don't think this is very..."
- "Guys, can you come over here right now, please?" (gunshots)
- (shouted) "Death to the demon Yevgeny Nourish!"
- (shouted) "Death to Pilgrimage! Death to transCendenZ!"
- "No, no, no. You don't have to shoot me. Hey, tell me the truth. Are we still in the game?"
Play clip (excerpt):

- "The important thing is: we're awake now, and hopefully for a long time to come."
- "Forever?"
- "Forever. Hmm."
- "Forever!"
- "Hmm. Let's just not use that word, you know. It frightens me. But I do love you, and you know, there is something very important that we need to do as soon as possible."
- "What's that?"
- "F--k."
Play clip (excerpt):

"You f--ker! What kind of sick f--kin' game are you playin' at?! Putting me on a... Oh, my God, your face!"
- "Yeah, l know."
- "What happened?"
- "Don't ask."
- "You're shot."
- "Yes, I'm shot."
- "I can't believe he's standing."
- "One tough motherf--ker."
- "Who did this?"
- "I did, actually. Find some gauze."
- "You shot yourself?"
- "Yes, but it's OK. Marla, look at me. I'm really OK. Trust me. Everything's gonna be fine. You met me at a very strange time in my life."
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- "Alan, it's Ella. Come on, help me, help me. Come on. Think back. Remember Key Biscayne. Come on, try. Alan. Come on, I'm right here. Remember. The hotel was on the beach. It was spring. The sun shone every day."
(voice-overs) "You worked at the hotel. You were twenty-three."
- "I was a cabana boy. The season had just begun. It was my second year at the hotel. I was taking classes. Javier was my friend."
- "I was visiting with my husband. He was older than me. We had only been married 8 months. He was in politics."
- "I saw you coming from the ocean, you were wearing a white suit. Jimmy Ruffin was singin' on a beach radio. You ordered water."
- "I watched for you everywhere. I had never done that before. I had never felt that way before."
- "I realized nothing would be the same. I realized my life had changed. I realized it would be important. I realized you would be forever mine."
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- "A letter of commendation will be inserted into your file in recognition of your exemplary work on this case. Remember when I asked you if you were a cop or a soldier?"
- "Yes, sir."
- "Well, you're a soldier, Paul. And a damn fine one."
- "General Campbell. You're wrong. I'm a rotten soldier."
- "Oh? And why is that?"
- "You really don't get it, do you? The only mind Elisabeth wanted to f--k with was yours. And you still don't get it."
- "I've done nothing wrong."
- "You killed her."
- "What did you say?"
- "Seven years ago in that hospital room, when you told her to just forget about it, you killed her."
- "Kent killed her."
- "No, Kent just put her out of her misery. I once asked Moore what was worse than rape. Now I know. Betrayal."
- "I loved Elisabeth, but there were larger issues to consider."
- "You traded her trust for your career. You made a deal, didn't you? You kept silent, and they gave you another star."
- "You watch your mouth, Brenner."
- "I'm gonna say that in my report that you knew she was out there, that you went out and talked to her, and left her there to die."
- "You don't have the balls."
- "Oh, you're wrong, sir, because that's just about all I have left."
- "You do that and you can kiss your career goodbye."
- "I'm gonna have you court-martialed, General, under Article 32 for conspiracy to conceal a crime. When this all started, I told you that we would find the son of a bitch, sir. I never expected that the son of a bitch would be you."
Play clip (excerpt):

- "Here, I'll drive. So, do you have enough money to pay off your rent?"
- "And twenty left over. Maybe I'll open a savings account."
- "So, what are we doing for New Year's?"
Play clip (excerpt):

(voice-over) "You'll be gone like all the others. I'll have to stay. Oh, I'll die eventually, of that I'm sure. I have no illusions of immortality. But I will have wished for death long before death finds me. In truth, I wish for it already."
- "Mr. Jingles? Where you been? Been worried about you, boy. You hungry? Hmm? Let's go see if we can't find you something to eat. A few crumbs anyway. I know you'd like that. Look at you."
(voice-over) "I lie in bed most nights thinkin' about it. And I wait. I think about all the people I've loved now long gone. I think about my beautiful Jan, how I lost her so many years ago. And I think about all of us walkin' our own Green Mile each in our own time. But one thought more than any other keeps me awake most nights. If he could make a mouse live so long, how much longer do I have? We each owe a death. There are no exceptions. But, oh God, sometimes the Green Mile seems so long."
Play clip (excerpt):

- "What is this?" (sigh)
- "What is it?" (laughter)
- "That was one kick-ass party."
- "OK, one more thing. How do we get down from here?"
Play clip (excerpt):

(voice-over) "I know you're out there. I can feel you now. I know that you're afraid. You're afraid of us. You're afraid of change. I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. I'm going to hang up this phone, and then I'm going to show these people what you don't want them to see. I'm going to show them a world without you. A world without rules and controls, without borders or boundaries. A world where anything is possible. Where we go from there is a choice I leave to you."
Play clip (excerpt):

- "I think I can go now. I just needed to do a couple things. I needed to help someone. I think I did. And I needed to tell you something. You were never second. Ever. I love you. You sleep now. Everything will be different in the morning."
- (in her sleep) "Good night, Malcolm."
- "Good night, sweetheart."
Play clip (excerpt):

- "I-I'm alive! Where's Mr. Hat?"
- "Wow. We were all dying and now we're fine. That's super!"
- "What the f--k's going on?"
- "You see, Mom, after all that, it was Cartman's filthy f--king mouth that saved us all."
- "I'm sorry I didn't pay attention to you, Kyle."
- "But Wendy, what about Gregory?"
- "Oh, Stan. I never really cared for Gregory."
- "You didn't?"
- "No, dude. F--k Gregory! F--k him right in the ear!"
- "Yea! Thank you, clitoris!"
(Song: "Mountain Town" (reprised))
"Everything worked out. What a happy end. Americans and Canadians are friends again. So let's all join hands and knock oppression down. Good Lordy, I'm found. Don't you know our little lives are now complete? 'Cause Terrance and Phillip are sweet. Super sweet. Thank God we live in this quiet little pissant redneck podunk jerkwater greenhorn one-horse mud-hole peckerwood right-wing whistle-stop hobnail truck-drivin' old-fashioned hayseed inbred unkempt out-of-date out-of-touch white trash kick-ass! Mountain town!"
- "Look!"
Play clip (excerpt):
(after end credits)
"Guys out there is hurted."
Play clip (excerpt):

(voice-over, some overlapping) "Jesus said, 'The kingdom of God is inside you and all around you, not in mansions of wood and stone. Split a piece of wood and I am there.' 'The kingdom of God is inside you, and all around you. Not in buildings of wood and stone. Split a piece of wood and I am there.' These are the hidden sayings that the living Jesus spoke. Whoever discovers the meaning of these sayings will not taste death."
(end title cards) "In 1945, a scroll was discovered in Nag Hamadi, which is described as 'the secret sayings of the living Jesus.' This scroll, the Gospel of St. Thomas, has been claimed by scholars around the world to be the closest record we have of the words of the historical Jesus. The Vatican refuses to recognize this Gospel and has described it as heresy."
Play clip (excerpt):

- "Just, just tell me some nice things about Tom Ripley."
- "Good things about Tom Ripley. That could take me some time. Tom is talented. Tom is tender. Tom is beautiful."
- "You're such a liar."
- "Tom is, Tom is a mystery. Tom is not a nobody. Tom has secrets he doesn't want to tell me, and I wish he would. Tom has nightmares. That's not a good thing. Tom has someone to love him. That is a good thing. Mmm, Tom is crushing me. Tom is crushing me. Tom, Tom, you're, you're crush--. Oh, God! Oh, God! Oh, God! Oh, God! Oh, God! Peter!"
Play clip (excerpt):

- "You still worried?"
- "About Andy? Nah. It'll be fun while it lasts."
- "I'm proud of you, cowboy."
- "Besides, when it all ends, I'll have old Buzz Lightyear to keep me company - for infinity and beyond."
(Song: "You've Got a Friend in Me" Performed by Robert Goulet)
Play clip (excerpt):

(voice-over) "So much has been said about the girls over the years, but we have never found an answer. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling - still do not hear us calling them out of those rooms, where they went to be alone for all time, and where we will never find the pieces to put them back together."
Play clip (excerpt):

- "I was wrong about you."
- "Yeah? How so?"
- "I thought Christmas only comes once a year."
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